In the beginning, I just followed the normal pattern of the image, but while I was doing that I saw that it came to life more with some “dirt” in it, some deformations. So I choose for my nervous lines and deformation of the object by colour and different layers. It becomes truer like that. And at a certain point I saw that the distortions in some images create a strange new meaning, a weird intelligence you might say. They alter the form and the shape of the image, and give it new overtones. It is by keeping a critical opinion that a certain freedom is gained. In any event, the intention always leads to another result what undoubtedly means that there are other hidden possibilities.
All paintings are acrylic and tempera on canvas and/or on paper, some of them also exist as a mural.